Po mislih utemeljitelja ve\u010dnega ontolo\u0161kega vpra\u0161anja o pomenu obstoja, Martina Heideggerja, je klju\u010den metafizi\u010dni pojav posebno bitje, ki se lahko spra\u0161uje o lastni biti \u2013 ima zavest o svojem obstoju. To je poimenoval \u00bbDasein\u00ab, oziroma bivanje-v-svetu, kjer \u010dlovek \u017ee obstaja v nekem svetu pomenov, odnosov, skrbi in projektov. Je tudi \u010dasovno bitje, saj razume sebe skozi preteklost (\u017ee-biti), sedanjost (biti-v-svetu) in prihodnost (mo\u017enosti) in postane avtenti\u010dno \u0161ele, ko se soo\u010di z lastno smrtnostjo. Tudi seriji analognih in digitalnih kola\u017eev Maru\u0161e \u0160tibelj se poglabljata v \u010dasovno raziskovanje biti, ali, biti-v-svetu, v svetu ki je pre\u017eet z do\u017eivetimi, pre\u017eivetimi, navdihujo\u010dimi, osebnimi in neosebnimi, prekinjenimi in zavedno-trajajo\u010dimi stanji obstoja v danem trenutku. Tehnika analognega kola\u017ea serije Melanholija pod povr\u0161jem <\/i>(2020\u20132024) omogo\u010da fizi\u010dno (ro\u010dno) plastenje in nalaganje omenjenih mo\u017enosti biti, ter jih z naklju\u010dno najdenimi davno pozabljenimi predmeti, ter morda le delci njih, povezuje z izpeto se preteklostjo, \u017ee-biti, in svojimi notranjimi do\u017eivljanji lastnega biti-v-svetu. S pomo\u010djo izrezkov iz revij, \u010dasopisov in lastnih fotografij ustvari \u010dustveno intimo, kakr\u0161na lahko vznikne le ob metafizi\u010dnem preizpra\u0161evanju \u017eivljenja. Naklju\u010dni motivi se v celoto amalgamirajo \u0161ele, ko avtorica v svoje umetni\u0161ko delo vplete svoj jaz in ga pospremi s kontekstom naslova. Kljub izvzetosti fizi\u010dnega, se tudi digitalni kola\u017ei serije Potovanje trenutka <\/i>(2025) spajajo v skupke brezprostorskih izrazov biti-v-svetu, ter ravno tako poskrbijo za \u00bbleitmotiv\u00ab, ki pa svojo prisotnost izra\u017ea skozi mo\u010dan \u010dustveni naboj vsakega izmed kola\u017eev. Umetnica se tako na pri\u010dujo\u010dih delih vseskozi poigrava z zavedanjem o lastni minljivosti, obstoju v razli\u010dnih obdobjih in oblikah svoje biti, ter gledalca_ko vabi h globljemu razmisleku lastnega, morda tudi podzavestnega, do\u017eivljanja obstoja<\/p>\n
\u00a0<\/span>Maru\u0161a \u0160tibelj <\/b>\u017eivi in ustvarja v Kranju. Kot vizualna umetnica se ukvarja predvsem s tehniko analognega in digitalnega kola\u017ea, tudi v obliki animacije, knji\u017enih podob ter stenskega kola\u017ea. Je pobudnica in umetni\u0161ki vodja Mednarodnega festivala sodobnega kola\u017ea KAOS, ki se odvija v Kranju. Z raznimi oblikami kola\u017ea se predstavlja v vidnej\u0161ih prostorih likovne metnosti, tako v Sloveniji (kot del skupinske razstave Plastenja<\/i>) v Cukrarni 2024, v Galeriji Ra\u010dka v Celju (2024), Galeriji Murska Sobota (2025) \u2026, kakor tudi v tujini \u2013 na Dunaju, Wiesenbadu v Nem\u010diji, Istanbulu, Parizu, Bruslju, idr. Umetnica je med drugimi prejela tudi nagrado Pari\u0161kega Salona (2018).\u00a0<\/span><\/p>\n <\/p>\n Klara Zadravec\u00a0<\/span><\/p>\n <\/p>\n <\/p>\n Maru\u0161a \u0160tibelj: The fragile\u00a0<\/span><\/b><\/b><\/p>\n presence of passing by<\/b><\/b><\/p>\n Drawing inspiration from Martin Heidegger\u2019s concept of Dasein\u2014being-in-the-world\u2014\u0160tibelj\u2019s series of analogue and digital collages investigates the temporality of existence and the layered experience of being. Her works oscillate between the personal and the impersonal, the transient and the enduring, reflecting on how we inhabit time through memory, perception, and emotional resonance. In her analogue series Bright Side of the Melancholy <\/i>(2020\u20132024), the tactile process of layering and juxtaposition becomes a metaphor for existence itself. By recontextualizing found and forgotten objects, fragments of images, and her own photographs, she forges connections between already-being <\/i>(the past) and the lived present. Each composition emerges as a meditation on the metaphysical intimacy of life\u2014on how random motifs and visual remnants coalesce into meaning only when the artist weaves her own presence into the work. Even in her digital collages from the series titled Journey of the moment <\/i>(2025), where the material touch gives way to immaterial layering, \u0160tibelj continues to explore the emotional texture of being. These compositions evoke spaceless, timeless states of consciousness\u2014expressions of being-in-the-world that invite the viewer to reflect on their own fleeting, often subconscious experience of existence.<\/p>\n Maru\u0161a \u0160tibelj <\/b>lives and works in Kranj. As a visual artist, she primarily explores analogue and digital collage techniques, extending her practice into animation, book illustration, and largescale wall collages. She is the founder and creative director of KAOS \u2013 the International Festival of Contemporary Collage, held annually in Kranj. Her works have been exhibitedwidely in Slovenia\u2014most recently as part of the group exhibition Plastenja <\/i>at Cukrarna (2024), at the Ra\u010dka Gallery in Celje (2024), and at the Murska Sobota Gallery (2025)\u2014as well as internationally in Vienna, Wiesenbad (Germany), Istanbul, Paris, and Brussels. Among other recognitions, \u0160tibelj received the Paris Salon Award in 2018.<\/p>\n \u00a0<\/span>Kuratorka \/ Curator:\u00a0<\/span>Klara Zadravec\u00a0<\/span><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Po mislih utemeljitelja ve\u010dnega ontolo\u0161kega vpra\u0161anja o pomenu obstoja, Martina Heideggerja, je klju\u010den metafizi\u010dni pojav posebno bitje, ki se lahko spra\u0161uje o lastni biti \u2013 ima zavest o svojem obstoju. To je poimenoval \u00bbDasein\u00ab, oziroma bivanje-v-svetu, kjer \u010dlovek \u017ee obstaja v nekem svetu pomenov, odnosov, skrbi in projektov. Je tudi \u010dasovno bitje, saj razume sebe […]<\/p>\n","protected":false},"author":2,"featured_media":2087,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,57,11],"tags":[],"class_list":["post-2086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualne-razstave","category-novice","category-razstave"],"_links":{"self":[{"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/posts\/2086"}],"collection":[{"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/comments?post=2086"}],"version-history":[{"count":1,"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/posts\/2086\/revisions"}],"predecessor-version":[{"id":2088,"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/posts\/2086\/revisions\/2088"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/media\/2087"}],"wp:attachment":[{"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/media?parent=2086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/categories?post=2086"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.fotoklub-maribor.si\/galerija\/wp-json\/wp\/v2\/tags?post=2086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}